Titel
Isolina : een geschiedenis
Schrijver
Maraini, Dacia
Taal
Nederlands
ISBN
9789050710299
Uitgever
Amsterdam : An Dekker, 1987
Prijs
€ 4,75
Bijzonderheden
207 pag., gebonden als bibliotheekboek, in redelijke staat, met inktvlek op de laatste pag.
Meer info
Oorspronkelijke titel: Isolina, La donna tagliata a pezzi (1985) (Collezione Varia di letteratura)
Vertaald uit het Italiaans en Inleiding: Marjolein Bemelmans.
Het boek gaat over het politieke proces Todeschini dat zich in 1901 in Verona afspeelde en vergeleken werd met de Dreyfuss-affaire.
Het gaat om Isolina Canuti, een negentienjarig meisje, arm en zwanger, dat in januari 1900 wordt vermoord en in stukken gesneden uit de Adige-rivier wordt opgevist.
Het publiek en de pers schreeuwen om een snel onderzoek door de politie en eisen gerechtigheid voor dit afschuwelijke drama. Van zeer hoog niveau zegt men alle medewerking toe en looft men zelfs premies uit om de dader(s) te vinden.
Maraini vertelt op heel indringende wijze de geschiedenis van Isolina opnieuw en ze geeft een levendig beeld van de machtsstrijd tussen socialisten en militairen die zich in het italië van rond 1900 afspeelde.
(uit de inleiding)
Dacia Maraini (1936) is an Italian writer. Maraini's work focuses on women's issues, and she has written numerous plays and novels. She has won awards for her work, including the Formentor Prize for L'età del malessere (1963); the Fregene Prize for Isolina (1985); the Premio Campiello and Book of the Year Award for La lunga vita di Marianna Ucrìa (1990); and the Premio Strega for Buio (1999). In 2013, Irish Braschi's biographical documentary I Was Born Travelling told the story of her life, focusing in particular on her imprisonment in a concentration camp in Japan during World War II and the journeys she made around the world with her partner Alberto Moravia and close friends Pier Paolo Pasolini and Maria Callas
Maraini was born in Fiesole, Tuscany. She is the daughter of Sicilian Princess Topazia Alliata di Salaparuta, an artist and art dealer, and of Fosco Maraini, a Florentine ethnologist and mountaineer of mixed Ticinese, English and Polish background who wrote in particular on Tibet and Japan. When she was a child, her family moved to Japan in 1938 to escape Fascism. They were interned in a Japanese concentration camp in Nagoya from 1943 to 1946 for refusing to recognize Mussolini's Republic of Salò, allied with the Empire of Japan. After the war, the family returned to Italy and lived in Sicily with her mother's family in the town of Bagheria, province of Palermo.
She married Lucio Pozzi, a Milanese painter, but they separated after four years. She then became Alberto Moravia's companion, living with him from 1962 until 1983.
Many reoccurring themes evident in Maraini's work are: personal freedom for women,[8] exposing the use and abuse of power and its effects on women,[9] women breaking free of traditional gender roles to explore their sexuality and social activism, the silencing of women in society and their appearance in the fashion-system, the seclusion and isolation of women as a result of women seeking their independence and freedom,[2] motherhood as a form of confinement for women, and thus abortion as their only option, violence against and rape of women, women breaking free from being seen as sex objects,[13] and characters' experience with homosexuality, pedophilia, and group sex.
Maraini and feminism
Although Maraini states she is a feminist only in the fact that she is always on the side of women, much of Maraini's work has been classified as feminist. The nature of Maraini's work evolves in line with women's changing position in Italian society and exposes the use and abuse of power and its effects on women. Maraini's progressive works helped change the general impression that women should solely fulfil domestic roles.
Dacia Maraini underwent "a process of evolution in ideology" divided into two forms; one that outlines the individual's close relationships with reality and the other based on motivation to further the cause of women's rights. According to writers such as Pallotta, a series of short stories and novels reflected Maraini's prefeminist stage. The literary works include La vacanza (The Vacation, 1962), L'età del malessere (1963). Her pre-feminist stage is characterized by a sense of alienation, total disorientation and the need for self-assentation through sexuality. Pallotta states "social and psychological disorientation [is] rooted in a passive consciousness that refuses to come to terms with reality".[17] The transitional stage is characterized by the need to search for new modes of literary expression. These stages led to a feminist viewpoint that reflects a feminist awareness. Feminist novels include A memoria and Donna in Guerra. These novels are very significant and are a representation of the Italian Feminist Movement of 1968. The importance of these two works is the research of the protagonists' "total unity." This total unity can be considered part of the constituent stage of her literary expression of feminism.
(Wikipedia)
rechtzaken - Verona - beroemde Italiaanse rechtszaken.
Vertaald uit het Italiaans en Inleiding: Marjolein Bemelmans.
Het boek gaat over het politieke proces Todeschini dat zich in 1901 in Verona afspeelde en vergeleken werd met de Dreyfuss-affaire.
Het gaat om Isolina Canuti, een negentienjarig meisje, arm en zwanger, dat in januari 1900 wordt vermoord en in stukken gesneden uit de Adige-rivier wordt opgevist.
Het publiek en de pers schreeuwen om een snel onderzoek door de politie en eisen gerechtigheid voor dit afschuwelijke drama. Van zeer hoog niveau zegt men alle medewerking toe en looft men zelfs premies uit om de dader(s) te vinden.
Maraini vertelt op heel indringende wijze de geschiedenis van Isolina opnieuw en ze geeft een levendig beeld van de machtsstrijd tussen socialisten en militairen die zich in het italië van rond 1900 afspeelde.
(uit de inleiding)
Dacia Maraini (1936) is an Italian writer. Maraini's work focuses on women's issues, and she has written numerous plays and novels. She has won awards for her work, including the Formentor Prize for L'età del malessere (1963); the Fregene Prize for Isolina (1985); the Premio Campiello and Book of the Year Award for La lunga vita di Marianna Ucrìa (1990); and the Premio Strega for Buio (1999). In 2013, Irish Braschi's biographical documentary I Was Born Travelling told the story of her life, focusing in particular on her imprisonment in a concentration camp in Japan during World War II and the journeys she made around the world with her partner Alberto Moravia and close friends Pier Paolo Pasolini and Maria Callas
Maraini was born in Fiesole, Tuscany. She is the daughter of Sicilian Princess Topazia Alliata di Salaparuta, an artist and art dealer, and of Fosco Maraini, a Florentine ethnologist and mountaineer of mixed Ticinese, English and Polish background who wrote in particular on Tibet and Japan. When she was a child, her family moved to Japan in 1938 to escape Fascism. They were interned in a Japanese concentration camp in Nagoya from 1943 to 1946 for refusing to recognize Mussolini's Republic of Salò, allied with the Empire of Japan. After the war, the family returned to Italy and lived in Sicily with her mother's family in the town of Bagheria, province of Palermo.
She married Lucio Pozzi, a Milanese painter, but they separated after four years. She then became Alberto Moravia's companion, living with him from 1962 until 1983.
Many reoccurring themes evident in Maraini's work are: personal freedom for women,[8] exposing the use and abuse of power and its effects on women,[9] women breaking free of traditional gender roles to explore their sexuality and social activism, the silencing of women in society and their appearance in the fashion-system, the seclusion and isolation of women as a result of women seeking their independence and freedom,[2] motherhood as a form of confinement for women, and thus abortion as their only option, violence against and rape of women, women breaking free from being seen as sex objects,[13] and characters' experience with homosexuality, pedophilia, and group sex.
Maraini and feminism
Although Maraini states she is a feminist only in the fact that she is always on the side of women, much of Maraini's work has been classified as feminist. The nature of Maraini's work evolves in line with women's changing position in Italian society and exposes the use and abuse of power and its effects on women. Maraini's progressive works helped change the general impression that women should solely fulfil domestic roles.
Dacia Maraini underwent "a process of evolution in ideology" divided into two forms; one that outlines the individual's close relationships with reality and the other based on motivation to further the cause of women's rights. According to writers such as Pallotta, a series of short stories and novels reflected Maraini's prefeminist stage. The literary works include La vacanza (The Vacation, 1962), L'età del malessere (1963). Her pre-feminist stage is characterized by a sense of alienation, total disorientation and the need for self-assentation through sexuality. Pallotta states "social and psychological disorientation [is] rooted in a passive consciousness that refuses to come to terms with reality".[17] The transitional stage is characterized by the need to search for new modes of literary expression. These stages led to a feminist viewpoint that reflects a feminist awareness. Feminist novels include A memoria and Donna in Guerra. These novels are very significant and are a representation of the Italian Feminist Movement of 1968. The importance of these two works is the research of the protagonists' "total unity." This total unity can be considered part of the constituent stage of her literary expression of feminism.
(Wikipedia)
rechtzaken - Verona - beroemde Italiaanse rechtszaken.
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